120602 open studio today

We have open studio this weekend June 1-4th 2012 so if you live in and around Worcestershire come & visit our amazing studios in the city of Worcester (Four Seasons, 74 Battenhall Avenue, Worcester, WR5 2HW – open 10-5pm daily). We have over 100 paintings & prints on display including my new regal portrait of Queen Elizabeth II.  What better way to celebrate the Diamond Jubilee than with an arts trail showcasing and celebrating  the creative talent of Worcestershire. Over 40 other artist/designer studios are open this weekend so do take a look at the Worcestershire Arts Trail website for further details: www.worcsartstrail.org. We’ve had visitors come on foot, on bicycles and some have driven but whatever your means of transport this Jubilee weekend you’ll be assured of a warm welcome. All donations from cups of tea sold go to The Childrens Society. Please feel free to share this with others to ensure Jubilee Weekend is an out and out success. Cheers!

120507 gone walkabout

I have just been along to the annual Cropthorne Walkabout (or Cropthorne Splashabout as my husband called it in view of the weather). It was lovely with gorgeous gardens, stalls, magic shows, Morris men, cakes, teas and live jazz; the very best of British. Some of the views from the gardens beyond the river Avon over the Worcestershire landscape were truly magnificent but I was surprised Holland House wasn’t serving teas; last time we went we were queuing round the block. We bought two lovely art books on a book stall: Eric Ravilious and the Newlyn School, plus a Barbar book (the child in me couldn’t resist) , and I have just planted the plants I bought on the plant stall. And all in aid of Cropthorne Church. Incidentally I read in a magazine in the hairdressers recently that the Queen doesn’t like variegated plants which surprised me because I do! I think they can be used very effectively in a garden to create all year round interest. Without them the gardeners’ palette of colours would be severely diminished, don’t you think? There you go, you learn something new every day. Anyway I hope lots of local people come along and support the Worcestershire Arts Trail in a few weeks time. I’m sure they will.

120405 slow drawing

Image

The recent life drawings I have been working on are all about speed of execution. I find that the quicker I work the better they are, capturing the immediacy of the pose and the energy of the moment. Perhaps it is because I draw regularly and frequently and am up and running that I can begin effortlessly. Anyway it works for me and keeps the studies fresh and full of vitality.

However, I recently produced an illustration of the Queen for the Worcestershire Arts Trail event which runs during the Diamond Jubilee weekend at the start of June. Inspired by a photograph by Gloucestershire photographer Dorothy Wilding it captured the Queen as a young woman. The illustration I produced was quickly executed and fresh but sadly inaccurate and had to be archived. Above is a second study where I deliberately slowed down and took greater care; it wasn’t easy for me to work in this way but it was more relaxing, and as I chilled out, listened to radio 4, drank more cups of tea, I found a new way of working. You can see where I let  myself go in the pink  wash background, pushing and pulling the wash hither and thither with free abandon. That was the part I enjoyed the most. This new approach was rather like the slow food movement but in this case the slow art movement. Of course I could have worked even more slowly, with even greater care, and will perhaps try that in the future. Let me know what you think!

The morning after the night before 110116

So whose idea was it to cancel all Paddington to Worcester trains anytime after 8pm each evening just as any sensible daytripper or committed commuter starts to think about heading home? Study the train timetable and you’ll find the only option after 8pm is to catch a bus at 9.45pm that arrives 4 hours later in Worcester at 2am which is really practical (what’s the driver doing, pushing the thing?) or stay at home. Shocking.

Thus it was that with a minibus lift back to the Ruskin in Oxford I had the brain wave to stay over and catch the first train back the following morning to Worcester. You shall go to the ball Cinderella, you shall, I thought to myself. Of course I considered booking a hotel room, or a room in my old college, or asking a friend for a bed,  but the logistics of arriving after midnight and leaving at 6am meant I would be an unpopular guest. Aha! I suddenly remembered the family room we had years ago at the Oxford YHA when the children were young and we had been pleasantly surprised at the comforts and proximity to Oxford’s railway station; I seem to remember there was en suite, kettle in your room, and only the sound of trains thundering beneath your pillows to keep you awake at night. Would there be a room there? Handy for the station the next morning certainly; I couldn’t afford to miss that 6.56 train.

On the phone I asked the YHA receptionist if I could book the family room – barefaced cheek I know for just one (I’d have plenty of space to swing a cat and with the benefit of hind sight could at least have put the lights on). “I’m afraid our only family room is taken, but we do have a single sex dorm,” she said. With minutes to spare before I caught my train to Oxford, I took it; at least I’d have a bed for the night.

So, still on a high from my evening at the Saatchi Gallery I entered the YHA, toute seule, without the entourage of family as psychological back up. It was very late. The imagined canapes at the soiree had been  non existent which meant I had gone without food since lunch time. I was tired and ordered tea and a slice of coffee and walnut gateau. As I watched the Jamaican receptionist make my tea carefully and extract a piece of cake from the dome within the chilled cabinet, the sensible side of my brain was thinking: you’ll regret this, there’s too much caffeine in that m’dear, and if you were at home right now you’d be drinking chamomile tea; and quite frankly you should change your order now and have one of those prewrapped blueberry muffins. But it was too late, I was paying.

“I’ve booked you into F” said the receptionist. “F?” I repeated timidly. “Room 101, bunk F. It’s on the bottom, easier.”

I followed the signs to the bedrooms and snuck into a room that called itself a library. Judging by the number of books on the shelves the Oxford YHA entertains a lot of Dutch and German guests who generously leave their books behind. I suddenly remembered the last time we had come when we had witnessed a fracas between an English bag lady and an American bag lady, each accusing the other of rifling her locker (apparently these women stay three nights before moving on to one of three other YHAs in the vicinity in a continuous bag packing triangle).

I found room 101 and entered the pitch black and as my eyes adjusted to the darkness I made out three slumbering humps all on the lower beds. Someone was sleeping in my bunk but filled with prosecco and high on art and conversation I wasn’t about to argue. I failed to locate a socket for the buzzer alarm clock I had borrowed from reception and fumbled my way out of the room and returned to the desk to seek help turning my mobile into an alarm clock. Returning to the velvet black of room 101 I prepared to scale Everest; I managed it, but whilst my body slumped on the top bunk with tiredness, my brain kept going, fuelled by stimulating conversation and the very recent injection of coffee cake caffeine.

So I lay there for hours listening to the cacophany of sounds only deep silence of a shared dorm throws up: the snoring, the farting, the scratching, the traffic, the trains and the doors banging, thinking I don’t believe I’m doing this. The last time I had done this I was aged nine on a family trip to the YHA in the Lake District, for heavens sake in the days of cotton sleeping bag liners and daily chores.

Needless to say I had a broken night but awoke ahead of the alarm at 6am, as you do, slipping out and away to catch my train. Arriving and leaving in pitch black darkness I’ll never know if I catnapped above the nations’ bag ladies or Europe’s well travelled youth, but with my head filled with grander plans inspired by the  Ruskin Alumni Launch of the night before, I really couldn’t have cared less.

Ruskin Alumni Society launch 110115

Well, was it worth it? Yes, it was, definitely. With prussian blue pastel firmly embedded beneath my finger nails after a morning teaching I made a snap decision to catch the train that would lead me to the minibus that would take me to the Saatchi gallery for the launch; the prospect of being at the start of something, the sum of which would be greater than the individual parts, was too great a temptation.

Unfortunately as I sat in my railway carriage contemplating the space around me I had the stomach churning realisation, horror of horrors,  that I had left behind my make up bag ( AAAGH! so if the guys who saw me after 25 years thought I was wearing cheap makeup, understand this, I was, courtesy of a smash and grab sprint into Boots in Oxford); normally, you see, gentlemen, I wear Chanel (a kind gift to myself when I turned 40).

The Saatchi Gallery was awesome: a fantastic space for a really exciting range of painting, sculpture and photography and I loved every minute of it. I particulaly liked the 20′ high triangular faceted cardboard and white emulsion pair of Staffordshire dogs, the embroidered photographs by Maurizio Anzeri and the paintings  by the name of an artist I can no longer remember, but the abstract imagery, vocabulary and use of colour of which will live on in my mind forever.

The generous gallery space was soon filled with 100s of unfamiliar faces guzzling free flowing prosecco and I didn’t hold back either. The vast halls hummed with the buzz of creative networking , speeches, photographs: individual and en masse. The new Ruskin Master – a philosopher- was introduced looking young enough to be my son (I always thought they  had to look old, but then again I once thought that about policemen)  and the two hour stint was way too short a catch up time as the Saatchi staff then tried with great difficulty to break up our party and usher us all home.

I had many brief and poignant encounters with those I knew and those I didn’t; one unexpected highlight must have been bumping into Sarah Simblet, author of The Drawing Book,  in the ladies powder room (I had to check my cheap makeup hadn’t slipped), being able to tell her face to face I use her book all the time with students. It made my day, and you never know perhaps made hers too.

This was a tremendous meeting of minds and energy and a mere glimpse of what might be in the future. Thank you Ruskin, but after twenty five years of silence, and 140 years of existence, not before time.

tea & biscuits (and giving blood) 101127

This week I gave blood – for the first time. This was something I’d often thought of, mostly forgotten about, and occasionally been reminded of.  A pang of guilt was triggered each time I passed the blood van parked outside the Methodist church on the aptly named Pump Street. So feeling decisive I recently went online and at the click of a mouse, and before I could change my mind, made my own appointment. Sorted.

When the day came and with just an hour spare until my appointment I managed a manic hour of shopping and arrived laden down with half a dozen bags and unwieldy rolls of wrapping paper (spending money like there was no tomorrow had more than  counter balanced my nerves, I decided).

Consequently at reception the simple suggestion “If you’d like to take a seat…” sounded a lot easier than it actually was as I physically knocked over every one I met as I made my way to my seat. I was about as popular as a latenight  theatregoer  arriving after the performance has started; these generously hearted donors had planned on a pin prick to the arm not a full black eye and bruises. Sorry, I do apologise. Sorry. I just  had to keep saying it.

Indeed it was a performance. The first floor modern Methodist church had been transformed into the set from Holby City or Scrubs with hospital beds, nurses – male and female, screens, cafe, reception area, waiting room, and even a few patients.  I felt like the unpaid extra with a small walk on part.

I was asked to return to the desk to answer a few question; worried I might inflict yet further damage the nurse suggested I left my shopping behind the desks , “We’ll have a quick rifle through whilst you’re sorted, if you don’t mind, so don’t worry if half of its missing when you leave.” I wasn’t sure if she was joking.

Behind the screen I did the quick thumb prick test and judging by the speed in which the globule plummeted through the solution and hit the bottom I can safely say there is plenty of iron in my blood; all those years of eating spinach have finally paid off. “Have you ever given blood?” I asked the nurse tentatively. “Only yesterday,” she said , and to prove it, rolled back her sleeve to reveal fine pin prick marks.

Then I was invited to the drinks area where I sat nursing a pint of water. Naturally  I’d have preferred a pint of Hook Norton but that wasn’t in the spirit of the thing. The chap next to me admitted he was terrified of heights and petrified of needles; watching his hand shake as he raised the tumbler to his lips I could tell he wasn’t joking. “I could never be a junkie,“ he told me. His mum had once needed a transplant he said, and because he had a rare type of blood that was highly sought after, he overcame his fears and came four times a year anyway. Another said that years ago he’d been backpacking round Europe and  checked into a donation centre in Istanbul in order to earn some blood money to move on. There each donor was paired directly with the recipient, so that what came out of one went straight into t’other; unfortunately in his case he was so tall, scrawny and knackered from travelling that nothing came out, and he was sent away empty handed,  obviously going nowhere.

“Which hand do you write with?” asked the nurse once I was up on the bed; she could just as easily have asked which hand do you paint with or drink with because they are just as important to me. She kept asking me if I was comfortable and emphasising that since I was a first timer everything had to be just so.

Next came the tricky bit and after much hand clenching and unclenching at last I was plugged in and we were ready to go. There was a lengthy pause. “Doesn’t seem to be anything coming out, “she sighed. I was staring doggedly at the stage in the other direction and starting to detect a glimmer of tension in her voice. “Oops, there now, forgot to unclip the clip,” she said. “Ah, it’s coming out beautifully now.”  Thank God for that, I thought.

Afterwards, job done, I made my way to the tea table which I have to say was the best bit; who doesn’t love a freebie? Sitting there looking at the racks and racks  of biscuits and crisps in front of me and surrounded by an equally mesmerised group of strangers I felt like a six year old at a birthday party. I gingerly took a pack of three fruit shortcakes, “They’re are chocolate ones on the other side…..” whispered the man next to me conspiratorially. I replaced the shortcakes and took a mint Club. “We won’t tell anyone,” said another.

“Orange or lemon squash?” asked the nurse. “Tea, please” I answered (not having drunk squash since I was a little girl). “First timers always have squash in case tea brings on a faint,” nurse explained.“Well, orange, no lemon, no orange then, please” I said decisively (blood obviously being not the only thing they’d taken out whilst I was lying prostrate). I asked my needle phobic friend how he’d got on- absolutely fine, he said, it was just the anticipation; there followed between us an in depth conversation about his fear of heights and my fear of glass lifts. He couldn’t go on the rides at Blackpool and I found the choice between the glass lift or glass stairs at the Royal academy an absolute nightmare. He thought all those on benefits should be made to give blood twice a year, “Where I work on the council estates I see them sitting there all day long; if they can collect their benefits they can give blood.”  I nibbled at another Club.

After one more pack of  cheese and onion crisps I asked the nurse if I could have a cup of tea now. “Oh no, not until you get home.  And the next time you come you can , but not the first time, at all. But you can have another squash.” So for the first time in forty years I tried lemon squash. It took me back.

Ready to go now I went to collect my shopping. “Remember not to use your left arm at all. ”  I looked  at her and she looked at me, and we both looked down at my mountain of shopping. And so it was that after my first blood donation I resembled a badly balanced set of scales as I sidled down the stairs with all six bags of shopping and rolls of wrapping paper sticking out awkwardly on my ever lengthening right arm. Those coming up the stairs gave me knowing looks as if to say, “You’ll learn.”

So with another appointment firmly booked for March I shall make sure that next time I appear empty handed, with a spring in my step and travelling light, very much looking forward to tea and biscuits. And if when I leave I spy an individual carrying bags and bags of shopping, believe me, I shall be the first to give them a very knowing look.

It’s the very least I can do.

windfall 10113

as apple harvest

ripens and fruit falls from tree -

stumble on windfall

pheasant 10929

When I walked in to the studio yesterday I was greeted by a pheasant lying lifeless on the table. Nice. Always the opportunist I quickly devised a lesson plan that gave the impression this session had been long planned and was very much a special treat.

My students drew the dead bird all day long and by home time had also designed a pub sign for a hostelry called, yep, you’ve guessed it, “The Pheasant”. Staring at the thing all day I noticed the colours of the feathers were stunningly beautiful- from ginger through deep chocolate to magenta, with splashes of irridescent turquoise: gorgeous. I loved the  graphic quality of the red, black and white feathers around its head, not to mention the elegant long tweed inspired tail feathers draping so gracefully; the designer was clearly on good form that day. At the end of the session one student removed a speckled tail feather as a souvenir and exclaimed, “Oh! It’s got blood on the end.” “What did you expect?” I quipped and he promptly tried to push the thing back.

So, the pheasant shooting season begins tomorrow, lasting until February 1st and I can feel a winter stew coming on. When I told my students about the various cooking options for a brace of pheasants: pheasant in cider, pheasant pate, pheasant in milk, pheasant stuffed with mushrooms, Lincoln pheasant, and how the Italians cook it with pancetta, plenty of white wine and brandy, they were listening intently; drooling even.

That is, of course until I advised them to watch out for the shot.

writing tips 10915

I am rejigging my picture book, Lost In Venice. It isn’t easy because I feel I am at the coal face and can no longer see it so clearly. But I’ll keep pressing on because I can see a whole series developing and mentally I am already rejecting the mail bag of invitations to Literary Festivals and book shop signings. Double bookings are so tedious.

To help myself I have started doing online research into Picture Books and have come across various blogs and websites that offer good advice and tips. I have printed off so many snippets that my expensive new cartridges are now blinking low at me again. GGgrrrr! Why are they £30 a pop and only last five minutes?

I recently arrived at a writers’ conference and was nervously sorting out my name tag thinking how I didn’t know anyone and dare I sidle over to the coffee machine on my own when I found myself very generously lending a pen to the woman next to me; we got talking, as you do when you’re screaming I don’t know anyone inside, and I asked her what sort of writing she did. BINGO! I’d struck gold! She said she was a childrens’ author who’d written over 100 books. Dearly wishing to have even one minor tome published I thought, stick close this woman – she knows a lot more than you do; then further wicked thoughts like: useful contact, fame and fortune, it’s who you know, gold digger etc. sprang to mind. So I got out my glue gun, did as it says on the tin, and stuck close to her practically sitting right on top of her as we went through. She was lovely and I really liked her Brummy accent which reminded me of my roots and the accent I’d tried to stave off. But, hey, now that John Bishop has made regional accents de rigeur I may start cultivating the Brummy one again. Well, if it worked for her……..The fact that she then proceeded to place a colourful business card straight into my hungry paw without being asked also made her a friend for life. Nice to meet you Karen King.

So afterwards I looked up her website and started clicking on the tips and links, and links of links, and links of links of links and BINGO! stumbled across the one below which I now share with you. I thought it was funny and useful, especially for anyone as hungry to write a Picture Book as I am.

http://editorialanonymous.blogspot.com/

Unfortunately I can’t now find the bit on it about Picture Books; it is in there some where so if you stumble across it, send me the link. Please.

results 10825

taking these results

over a fish and chip lunch -

with a pinch of salt

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